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Certain words and phrases pique the interest of vintage guitar players and collectors worldwide, like “Burst,” “Blackguard,” “Plexi,” and “Blackface.” Named for their black control panels, Blackface Fender amps are one of the company’s most famous and coveted product series.

Blackface Fender amps tend to be categorized into two groups by collectors and players: “Pre-CBS” (mid-1963 to mid-1965) models with a “Fender Electric Instrument Company” label and “CBS” (mid-1965 to mid-1968) models with a “Fender Musical Instrument” label.

Tech Specs: Once again, Fender issued three distinct variants of the Princeton amp during the Blackface era: the transitional “tuxedo” model, as well as reverb and non-reverb models in the new “Princeton” style.

Each version featured a single 10” speaker and about 12 watts of output.

With the Deluxe, you get a lot more bass response and plenty more clean headroom.

One of the most legendary amps of all time, pristine Blackface Deluxe examples come with a steep price tag.

A short-lived model, it was discontinued by mid-1964.

Cosmetically, the amps featured the aforementioned black control panels with white lettering, black tolex protective covering, and silver thread grille cloth.The tuxedo was the result of the ever-thrifty Leo Fender wanting to use up the remaining “brownface” Princeton Amp chassis and cabinets.Issued from mid-1963 to mid-1964, the tuxedo amps featured Blackface cosmetics, but were very snazzy looking with white barrel knobs.Blackface amps were immediately popular upon release and used on numerous famous recordings.They continue to be a backline and recording mainstay of musicians who seek a great, chimey Fender clean and, when pushed, a classic overdriven tone.

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