Updating the literary west fonts not validating

Gary Scharnhorst’s biography of Harte traces the growing commercial appeal of western fiction and drama on both sides of the Atlantic during the Gilded Age, a development in which Harte played a crucial role.Harte’s pioneering use of California local color in such stories as "The Outcasts of Poker Flat" challenged genteel assumptions about western writing and helped open eastern papers to contributions by Mark Twain and others.

The first Harte biography in nearly seventy years to be written entirely from primary sources, this book documents Harte’s personal relationships and, in addition, his negotiations with various publishers, agents, and theatrical producers as he exploited popular interest in the American West.The American West occupies a unique place in the global imagination, and the literature it produced transcends the category of 'region' in theme and form.Written by prominent international scholars, the essays cover a diverse group of key texts and authors, including major figures in the Native American, Hispanic, Asian American, and African American movements.Lindsey '44 Fund, Texas A & M University Press, 2004. The result is a standard anything but literary, as Nathaniel Lewis observes in this ambitious work, a wholesale rethinking of the critical terms and contexts? The skewed status of western literature, Lewis contends, can be directly attributed to the strategies of the region?The test of western literature has invariably been Is it real? s writers, and these strategies depend consistently on the claim of authenticity.

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